Naturalistic Soundscape
A 10 minute sample of the longer 55 minute ambisonic soundscape I prepared for the Biophilic Leadership Summit decoded to binaural for listening using headphones.
Produced using layered naturalistic field recordings captured in and around the Southern United States.
includes both recorded and synthesized Tibetan singing bowls tuned to 432 Hz as well as other diatonic/chromatic ratios.
in many ways the production process was similar to how I would go about arranging a musical score where each natural element acts as an instrument within the soundscape; In the pursuit of creating a since of place.
As my exploration of soundscapes and naturalistic audio is a recent addition to my creative practice, I haven’t had much experience applying these techniques to film settings. However, I thought it would be beneficial to include some related work. Here are two films I shot and edited a few years ago that may provide context for my more current endeavors. I want to be transparent and admit that I hesitated to include some of these pieces, as I don’t believe they fully showcase the sophistication of my recent projects. Nevertheless, I decided to include them because they help contextualize my work and express my enthusiasm for the intersection of various creative mediums.
The first film is a collaboration I did recently with my girlfriend Lilly Patterson, an incredibly talented animator and overall storyteller. For this project I exclusively arranged and produced the backing music and was largely focused on creating a minimalist, lighthearted but emotionally impactful accompaniment to the visuals and diagetic audio that Lilly created.
The second short is something I created over a weekend many years ago for a class at the University of Colorado Boulder and I think it just further contextualizes my affinity for utilizing ambience as well as instrumentation to bolster the emotional impact of the simple narrative.